BUDO RYU KAI
AUTHENTIC NINJUTSU & BUJUTSU
EISHIN RYU IAIJUTSU
HISTORY
Musō Jikiden Eishin-ryū (無雙直傳英信流), is a koryū sword art, and one of the most widely practiced schools of iaijutsu in the world. Often referred to simply as "Eishin-ryū," it claims an unbroken lineage dating back to the sixteenth century.
The school takes its name from its seventh headmaster, Hasegawa Chikaranosuke Hidenobu (長谷川主税助英信), who had founded Hasegawa Eishin-ryū. ‘Musō Jikiden Eishin-ryū’ means ‘peerless, directly transmitted school of Eishin.’ ‘Eishin’ is an alternative pronunciation of ‘Hidenobu. This school claims an unbroken history of about 450 years, making it one of the oldest extant martial arts in Japan.
CURRICULUM
Our curriculum encompasses the practice of waza (prearranged solo techniques), katachi or kumitachi (paired patterns using a wood sword or 'bokken'), and also tameshigiri (test cutting using a live/sharp sword on targets). These components reinforce and improve each other to make the student aware of proper body mechanics, focus, and technique for the effective use of the sword. All three of these, plus the integral observance and practice of sincere etiquette make up the core curriculum of our Iaijutsu program.
TRAINING
Iaijutsu (居合術), often translated roughly as the "art of mental presence and immediate response", is the Japanese martial art of drawing the sword. At least one author makes the distinction that, strictly speaking, iaijutsu consists exclusively of the portion of combat where the sword is drawn, and that any further techniques are technically classified as kenjutsu.
It is unclear exactly when the term "iaijutsu" first came into use, or when exactly drawing the katana from its scabbard first became practiced as a discrete martial art; however, Iaijutsu was developed for the specific combative purpose of defending oneself, not on the battlefield, but in everyday life. A central feature of iaijutsu is, therefore, drawing the sword from several traditional sitting postures, including seiza, iai-goshi, and tate-hiza. Techniques from a standing posture (tachi-ai) are also studied. Additionally, with the emphasis upon defense during daily life, it was also generally assumed that combatants would be armed with a katana worn "edge-up" and thrust through a sash around the waist, and that combatants would be fighting unarmored. These assumptions result in a drastically different approach to combat than when combatants are armored and fighting on the battlefield.
DOCUMENTS & SCROLLS
This school claims an unbroken history of about 450 years, making it one of the oldest extant martial arts in Japan. Eishin-ryū uses a system of indiscriminate transmission (完全相傳), allowing anyone in possession of full-transmission to award licenses to any number of his students. Therefore it is possible that there were multiple but unlisted holders of menkyo kaiden, known in Eishin-ryū as Kongen no Maki (根元之巻), in any generation. Due also in part to Ōe Masamichi’s more open and inclusive approach to teaching Eishin-ryū, the lineages of groups currently practicing the art are fairly diverse and complex.
Following Kōno Hyakuren’s death, the lineage of Eishin-ryu became contested again, with several individuals claiming to be the most senior representative. Who people consider sōke generally depends on the organization to which they belong. Some consider Musō Jikiden Eishin-ryū to no longer have a sōke.
In addition to various groups claiming to continue a lineage, there are some branches of Eishin-ryū that trace their lineage back to students of Ōe Masamichi other than Hokiyama Namio, and which regard their leaders as the most senior member of the school.