BUDO RYU KAI
AUTHENTIC NINJUTSU & BUJUTSU
KUJI IN & KUJI KIRI
KUJI IN (九字印), also known as Nine Hand Seals, is a system of mudras and associated mantras that consist of nine syllables. The mantras are referred to as kuji (Japanese: 九字), which literally translates as nine characters. The syllables used in kuji are numerous, especially within Japanese esoteric Mikkyō.
Scholars have stated that kuji is of Taoist origin, not Buddhist. There is no mention of the kuji in any of the Buddhist Shingon or Buddhist Tendai records that Japan imported. The use of kuji is essentially a layman's practice and is uncommon in many orthodox Buddhist traditions. It is, however, found extensively in Shugendō, the ascetic mountain tradition of Japan and Ryōbu Shintō, which is the result of blending Shingon Buddhism and Shinto.
NIN LEVELS OF THE KUJI IN
Rin - Strength
Pyo - Direction of energy
Toh - Harmony of the Universe
Sha - Healing of self and others
Kai - Premonition of danger
Jin - Knowing the thoughts of others
Retsu - Mastery of time and peace
Zai - Control of the elements of nature
Zen - Enlightenment
KUJI KIRI (九字切り lit. "nine symbolic cuts") This is the practice of making nine cuts – five horizontal and four vertical, alternating – in the air or palm of a hand with the finger or on paper with a brush is known as kuji kiri, nine syllable cuts.
Kuji-kiri is explained in Shugendo texts, quite correctly, as a preparatory ritual of protection, to cut off demonic influences and their inki (vital substance). In Japanese folk-magic and onmyodo, the nine cuts are often made over writing or a picture, to gain control of the object named or pictured. Thus, a sailor wishing to be protected from drowning might write them over the kanji for "sea" or "water".
Author and historian John Stevens notes that methods of oral sex using kuji-kiri were employed by practitioners of Tachikawa-ryu. The Fuju shu does not spell out every ritual in detail. However, in several of the kuji-kiri rituals it is spelled out that the strokes are made alternately horizontal and then vertical: five horizontal and four vertical for men; and four horizontal and five vertical for women. A modern Japanese text labeled Dai Marishi-Ten hiju/大摩利子天秘授 (Nine syllables of the Tactics of the Great Goddess of Light (Marishi-Ten)) says that five horizontal slashes are made while reciting the yo-syllables: rin, toh, kai, retsu, zen, which spells (come, fight, ready, line up, in front) first. These are to be followed by four vertical slashes while reciting the in-syllables: pyo, sha, jin, zai which spells (warriors, one formation, take position). The document gives no other information as to why this arrangement is used.